In our first installment of Think Outside The Box, We looked at adding additional chords to keys to give us more options. In this article we are going to be using multiple keys in one song (sometimes even one riff!) to give a more interesting sound.
In our first installment of Think Outside The Box, We looked at adding additional chords to keys to give us more options. In this article we are going to be using multiple keys in one song (sometimes even one riff!) to give a more interesting sound.
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According to classical composer Christian Schubart, each key has different moods and characteristics. Here is a translated excerpt from his 1806 publication deen zu einer Aesthetik der Tonkunst exaplaining his thoughts on the issue:
This guide is designed for guitar players of all levels (And could be handy to musicians of any instrument). We’re going to look at the most basic parts of rhythm, and see how this can improve our playing, and then move on to see how these simple rhythmic devices can be used to create complex [...]
Most Jazz players are given a simple chord chart, and are expected to fill in how exactly to play it themselves. While you can just use the 7th chord shapes from part 1, using inversions of chords can be a way to fill out your chord progressions in a more interest fashion